Hell Ain’t a Bad Place to Be – In the fifth-season finale, Hank walks into a bar filled with shadowy figures and a bartender who is a long-departed friend. He begins to suspect this isn’t California anymore, but one helluva place to kill some time. After he snaps out of it, Hank heads over to Becca’s, where he gets some unsettling news. Later, he goes to the movie set, where Charlie proves how much of a friend he is by almost taking a bullet for him, literally.
Hell Ain’t a Bad Place to Be – In the fifth-season finale, Hank walks into a bar filled with shadowy figures and a bartender who is a long-departed friend. He begins to suspect this isn’t California anymore, but one helluva place to kill some time. After he snaps out of it, Hank heads over to Becca’s, where he gets some unsettling news. Later, he goes to the movie set, where Charlie proves how much of a friend he is by almost taking a bullet for him, literally.
The Party – Hank’s stay with Karen and Richard comes to an unwelcome end, and once again he is a man without a home. Later, he runs into Lizzie, who lures him back to the Runkle place for a rendezvous with friends and foes alike. What starts out as a ball soon turns into a brawl, with Hank and Tyler squaring off in the main event.
The Party – Hank’s stay with Karen and Richard comes to an unwelcome end, and once again he is a man without a home. Later, he runs into Lizzie, who lures him back to the Runkle place for a rendezvous with friends and foes alike. What starts out as a ball soon turns into a brawl, with Hank and Tyler squaring off in the main event.
Perverts & Whores – Minus one agent and best friend, Hank crashes with his two favorite ladies, Karen and Becca. Looking for new representation, he meets with Hollywood power agent Larry Levine, who quickly sets a meeting with world-class filmmaker and Hank Moody idol Lars Manderhoff. It may be a match made in heaven when Lars surprises Hank with one of his favorite working girls, Trixie (guest star Judy Greer). Distraught over his personal losses, Charlie seeks comfort from Marcy while Lizzie enjoys her big break, a part in “Santa Monica Cop” courtesy of Stu.
Perverts & Whores – After his falling-out with Charlie, Hank seeks new representation and signs on with a Hollywood heavy hitter, who immediately sets him up for a meeting with a legendary filmmaker. Meanwhile, Lizzie’s big break arrives when producer Stu Beggs hands her a part in “Santa Monica Cop”; and a distraught Charlie seeks comfort with an old friend.
At the Movies – On the first day of production on Hank Moody’s latest movie “Santa Monica Cop,” Stu has brought back his “F–king and Punching” director in hopes of creating a cinematic masterpiece, but Hank’s rendezvous with the film’s leading lady puts his relationship with Sam in jeopardy. Luckily for Hank, Stu and the production’s crew, Charlie has a backup plan.
At the Movies – On the first day of production on Hank Moody’s latest movie “Santa Monica Cop,” Stu has brought back his “F–king and Punching” director in hopes of creating a cinematic masterpiece, but Hank’s rendezvous with the film’s leading lady puts his relationship with Sam in jeopardy. Luckily for Hank, Stu and the production’s crew, Charlie has a backup plan.
Raw – Hank is stuck reading Tyler’s screenplay but discovers some talent under that head of hair, even though the script appears to be disturbingly autobiographical account of the author’s relationship with Becca. Charlie and Lizzie’s love quadrangle with Stu and Marcy heats up, but when their bedroom games hit too close to home for Charlie, it may be off to therapy for all four of them.
Raw – Hank is stuck reading Tyler’s screenplay but discovers some talent under that head of hair, even though the script appears to be disturbingly autobiographical account of the author’s relationship with Becca. Charlie and Lizzie’s love quadrangle with Stu and Marcy heats up, but when their bedroom games hit too close to home for Charlie, it may be off to therapy for all four of them.
Here I Go Again – When a drunken Richard shows up at Hank’s with no recollection of the previous night, Hank helps him backtrack and they wind up at the place of a stripper named Holly—who is holding an incriminating piece of evidence that belongs to Richard. Later, Holly turns up at Karen’s door and Hank acts as if the intruder is his new girlfriend; and Becca gets upset when Holly shows interest in her boyfriend, Tyler.
Love Song – Samurai comes down with a case of songwriter’s block and seeks Hank’s help in getting unblocked. So Hank teams with Kali to compose a tune, which harkens back to his first sojourn to Los Angeles with Karen and other happier times with Charlie and Marcy.
The Ride-Along – Charlie’s boyhood dream is realized and Hank’s worst nightmare comes true when Samurai Apocalypse invites the boys on a ride-along with the Santa Monica Police Department and takes them on a joyride that goes sexually awry for Charlie; Richard hits the bottle at a crowded Venice restaurant but Hank and the boys arrive to save the day for Karen and Becca, and Tyler realizes he’s seen Sam somewhere before.
Waiting for the Miracle – Hank gets a surprise visit from ex-girlfriend Carrie, and when Karen and Becca surprise Hank with an invite to a dinner party, he’s compelled to invite her. And frank sex talk among Marcy, Stu and Bates at the event has some guests heading for the exits. Meanwhile, Charlie has a blind date with a woman who lacks experience in the sex department.
Boys & Girls – Hank delivers a completed draft of “Santa Monica Cop” to Samurai Apocalypse but his attempts to leave town are once again thwarted when he’s asked to show a night on the town to Kali, his “acquaintance” from the flight to Los Angles; Tyler crashes with Karen and Becca while he recovers from his injuries; things get unprofessional fast when Charlie is saved from a serious parental crisis by his son’s nanny, Lizzie.